Barbara Vinken
Geistige Mütter
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Donatien Grau
Une vie en philologie
Simon Critchley
Learning to Eat Time with One’s Ears
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Donatien Grau, James Spooner
Afropunk Philology
Donatien Grau
A Life in Philology
Michael F. Zimmermann
Courbet als Assyrer
Felix Stalder
Feedback as Authenticity
Kai van Eikels
Macht kaputt, was Demokratie kaputt macht
Tom McCarthy
Toke My Asymptote – oder: die ekstatische Agonie des Erscheinens
Marlene Streeruwitz
Der Autor ist nicht die Autorin
Mehdi Belhaj Kacem
Grabmal für Guy Debord
Malte Fabian Rauch
Where the Negative Holds Court
Sandra Frimmel
Ich hasse die Avantgarde
Hans Block, Moritz Riesewieck
Was wir nicht sehen
Alexander García Düttmann
Cold Distance
Barbara Basting
Der Algorithmus und ich 5
Ines Kleesattel
Kunst, junge Mädchen und die ästhetische Freiheit untenrum
Michael Heitz, Hendrik Rohlf
Uma’s Face—Thurman’s Voice
Angelika Meier
Wer ich wirklich bin
Thomas Huber
Generation of the Lynn Hershman Antibody
Barbara Basting
Der Algorithmus und ich 7
Damian Christinger, Monica Ursina Jäger
Homeland Fictions
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marcus Quent
Elapsing Time and Belief in the World
Elena Vogman
Dynamography, or Andrei Bely’s Rhythmic Gesture
Wolfgang Plöger
After This Comes That Before That Comes This
Eric Baudelaire
Abecedarium
Stephen Barber
Futurama Nights, October 1978
Jurij Pavlovich Annenkov
A Diary of my Encounters
Jelili Atiku, Damian Christinger
Venedig, Lagos und der Raum dazwischen
Mário Gomes
Brandsatz & Ästhetik
Discoteca Flaming Star
Ich erinnere mich… (Discoteca Flaming Star)
Barbara Basting
Der Algorithmus und ich 5
Peter Ott
The Monotheistic Cell Or Reports from Fiction
Kommt ein Polizist zu einem Mann, der beschuldigt wird, seinen kleinen Sohn zu Tode geschüttelt zu haben. Wie ist denn das passiert?, will der Polizist wissen. So!, gibt der Mann...
The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in...
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Apfel oder Zitrone? Remembering, what do you hear? Wie sterben? Nord oder Süd? A question to which “yes” is always your answer?
Nicht im Dienste irgendeines Wissens oder Spekulierens will dieses fortlaufende Register Eintragungen über Vorstellbares ansammeln: Namen, Objekte, Phänomene, Singularitäten.
DIAPHANES fragt nach Relikten von Zukunftsvisionen in den Bildräumen der Vergangenheit, nach Spuren und Signaturen eines einst Vorstellbaren und zeitlos Möglichen.
Meine Sprache
Deutsch
Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.