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Kunst

Skin marks us in the world
Skin marks us in the world

Eduardo Jorge de Oliveira

Invented Skins

You never know how many skins you have had by having a single skin. However, this skin has an inseparable memory of the future. Its vital movement depends on this dynamic that inserts it in a specific present. Thus, if skin makes us human, it is also a set of points that mark different ways of feeling. We feel the world through the fragility of our skin. Microorganisms exist in this skin. The most human portion also contains inhuman matter...
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  • Avantgarde
  • Denkt Kunst
  • Ästhetik
  • Brasilien

 

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»This is not my blood.«

»This is not my blood.«

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  • Identität
  • Performance-Kunst
  • Videokunst
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60 Billiarden Moleküle

Thomas Huber

60 Billiarden Moleküle

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  • Subjekt
  • Immunisierung
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A coffin to bury the statues of the ­ancestors
A coffin to bury the  statues of the ­ancestors

Clémentine Deliss

The Repatriation of the White Cube

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo. But as I found out on a recent visit to Lusanga in DRC, it is precisely the complexity and radical ambiguity of the enterprise that provides it with both artistic as well as socio-economic and political relevance. The work operates across several registers, each with its own context and syntax, be it within farming or art. What really convinces me is the equity...
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  • Afrika
  • Kolonialismus
  • Gegenwartskunst
  • Kolonialgeschichte
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Courbets Gesicht, erfunden von Baudelaire

Michael F. Zimmermann

Courbets Gesicht, erfunden von Baudelaire

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  • Realismus
  • Subjektkritik
  • Kunsttheorie
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Ist das Drama k.o.? Ist das Theater k.o.?

Alexander García Düttmann

Ist das Drama k.o.? Ist das Theater k.o.?

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  • Anarchie
  • Theater
  • Theaterwissenschaft
  • Zeremonie
  • Öffentlichkeit
  • Ästhetik
  • Schauspiel
  • Alain Badiou
  • Gegenwartskunst