Marie Glassl, Sophie Lewis
Surrogate Abolition
Marie Glassl, Sophie Lewis
Stellvertretende Abschaffung
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Andreas L. Hofbauer
Ersatzkaffeelesen
Emanuele Coccia
Le futur de la littérature
Donatien Grau
Une vie en philologie
Sina Dell’Anno
Punk / Philology
Simon Critchley
Learning to Eat Time with One’s Ears
Mengia Tschalaer
Queere Räume
Zoran Terzić
The Grand Generalization
Claire Fontaine
Towards a Theory of Magic Materialism
Zoran Terzić
Die Verallgemeinerung des Menschen
Jean-Luc Nancy
Nach den Avantgarden
Sandra Frimmel
Ich hasse die Avantgarde
Barbara Basting
Der Algorithmus und ich 6
Zoran Terzić
The Tautomaniac
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone
Axel Dielmann
Die Schneiderin
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Barbara Basting
Der Algorithmus und ich 5
Damian Christinger, Monica Ursina Jäger
Fiktionen von Heimat
Jochen Thermann
The Assistant Chef
Thomas Huber
Generation of the Lynn Hershman Antibody
Barbara Basting
Der Algorithmus und ich 7
Maria Filomena Molder
The Alms of Time
Dietmar Dath
Your Sprache Never Was
Dietmar Dath
Your Sprache Never Was
Dieter Mersch
Digital Criticism
Stephen Barber
A War of Fragments: World Versus America
Bruce Bégout
The Man from Venice
Jelili Atiku, Damian Christinger
Venice, Lagos, and the Spaces in between
Jelili Atiku, Damian Christinger
Venedig, Lagos und der Raum dazwischen
Artur Zmijewski
Conversation on “Glimpse”
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Plörre
Smegma
Ohrwurm
Schlamassel
Kummerspeck
Weltschmerz
Gesöff
Fernweh
Lotterbett
Spelunke
Scharmützel
Donnerwetter
Schabracke
Mumpitz
Spatzenhirn
Lustmolch
Kaschemme
Spinatwachtel
Popanz
Cumulus tuba ;
Cirrus cumulonimbogenitus ;
Wallcloud ;
Bannerwolke ;
Föhnfische ;
mother-of-pearl cloud ;
Altocumulus translucidus ;
Stratocumulus...
Setlist:
1 Luminous Procuress
2 Zero
3 Brass Canon
4 Mexican Tea Party
5 Jaguar
6 New Earth
7...
L’œuvre d'art n’a pas d’idée, elle est idée
Lärmende Zeitkapseln, rare Bijous, unverzichtbares Sperrgut aller Epochen, Sprachen und Genres.
In der Folge von Georges Perecs Erinnerung 480: "Ich erinnere mich… (Fortsetzung folgt…)"
Nicht im Dienste irgendeines Wissens oder Spekulierens will dieses fortlaufende Register Eintragungen über Vorstellbares ansammeln: Namen, Objekte, Phänomene, Singularitäten.
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Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.