I.V. Nuss
Die Liebe im Konvexen, in der totalen Rundung und zur Slutifizierung aller Männer westlich des Bosporus
Marie Glassl, Sophie Lewis
Surrogate Abolition
Marie Glassl, Sophie Lewis
Stellvertretende Abschaffung
Barbara Vinken
Geistige Mütter
Emanuele Coccia
Le futur de la littérature
Simon Critchley
Learning to Eat Time with One’s Ears
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Donatien Grau
A Life in Philology
Michael F. Zimmermann
Courbet als Assyrer
Kai van Eikels
Do in What's Doing, Democracy in!
Felix Stalder
Feedback als Authentitzität
Claire Fontaine
Towards a Theory of Magic Materialism
Felix Stalder
Feedback as Authenticity
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Mehdi Belhaj Kacem
Tomb for Guy Debord
Barbara Basting
Der Algorithmus und ich 6
Ines Kleesattel
Kunst, junge Mädchen und die ästhetische Freiheit untenrum
Andreas L. Hofbauer
Joch
Axel Dielmann
The Dressmaker
Sina Dell’Anno
Oratio Soluta
Jochen Thermann
Der Hilfskoch
A.K. Kaiza
Eine kommentierte Geschichte Wakandas
Barbara Basting
Der Algorithmus und ich 4
Helmut J. Schneider
Wie fern darf der Nächste sein?
Jochen Thermann
L’aide-cuisinier
Dietmar Dath
Your Sprache Never Was
Marcus Quent
Verrinnen der Zeit und Glaube an die Welt
Dietmar Dath
Your Sprache Never Was
Stephen Barber
Krieg aus Fragmenten: World Versus America
Marcus Quent
Elapsing Time and Belief in the World
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Ann Cotten
Dialoge
Bruce Bégout
The Man from Venice
Jelili Atiku, Damian Christinger
Venedig, Lagos und der Raum dazwischen
Hendrik Rohlf
Richard Prince (Book)
K.A.
Hermal
Barbara Basting
Der Algorithmus und ich 5
Kommt ein Polizist zu einem Mann, der beschuldigt wird, seinen kleinen Sohn zu Tode geschüttelt zu haben. Wie ist denn das passiert?, will der Polizist wissen. So!, gibt der Mann...
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in...
This book told me just what I had to know before I flew. Flying came more easily and I mastered its intricacies as quickly as my ideas come up during...
Apfel oder Zitrone? Remembering, what do you hear? Wie sterben? Nord oder Süd? A question to which “yes” is always your answer?
Der Post, den ich hiermit teile, hat mich leicht verstört: »Barbara ist Facebook vor 6 Jahren beigetreten«!
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Gedanklich-sinnliche Küchenzettel, Aufzählungen und Auslesen…
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Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.