Marie Glassl, Sophie Lewis
Surrogate Abolition
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Barbara Vinken
Geistige Mütter
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Simon Critchley
Learning to Eat Time with One’s Ears
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Sina Dell’Anno
Punk / Philologie
A. L. Kennedy
Qu’est-ce qu’un auteur ?
Michael F. Zimmermann
Courbet als Assyrer
Zoran Terzić
Die Verallgemeinerung des Menschen
Kai van Eikels
Macht kaputt, was Demokratie kaputt macht
Kai van Eikels
Do in What's Doing, Democracy in!
Mehdi Belhaj Kacem, Philippe Sollers
Wofür steht der Tod der Avantgarden?
Zoran Terzić
The Tautomaniac
Barbara Basting
Der Algorithmus und ich 6
Lars von Trier im Gespräch mit Mehdi Belhaj Kacem & Raphaëlle Milone
Johannes Binotto
Shrewing the Tame
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
Johannes Binotto
Shrewing the tame
Zoran Terzić
Politische Transplantate
Jochen Thermann
L’aide-cuisinier
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
A.K. Kaiza
An Annotated History of Wakanda
Damian Christinger, Monica Ursina Jäger
Homeland Fictions
Maël Renouard
The Twilight of Classification?
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Nicole Bachmann
Questionnaire Nicole Bachmann
Marcus Quent
Verrinnen der Zeit und Glaube an die Welt
Maël Renouard
Fragmente eines unendlichen Gedächtnisses
Bruce Bégout
L’homme de Venise
Ann Cotten
Dialogs
Mário Gomes
The Poetics of Architecture
Stephen Barber
I remember (Stephen Barber)
Peter Ott
The Monotheistic Cell Or Reports from Fiction
What do I remember? My memories of my life have always been very limited. I only remember single fragments, good...
Ich erinnere mich an mein Exemplar von Alles kurz und klein, das weg ist, verschwunden! – wer erinnert sich, es...
La soif
Quand j’étais enfant, près de la maison ou j’habitais, il y avait une voie ferrée. Avant de m'endormir, j’entendais...
Lärmende Zeitkapseln, rare Bijous, unverzichtbares Sperrgut aller Epochen, Sprachen und Genres.
Apfel oder Zitrone? Remembering, what do you hear? Wie sterben? Nord oder Süd? A question to which “yes” is always your answer?
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Nicht im Dienste irgendeines Wissens oder Spekulierens will dieses fortlaufende Register Eintragungen über Vorstellbares ansammeln: Namen, Objekte, Phänomene, Singularitäten.
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Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.