I.V. Nuss
Die Liebe im Konvexen, in der totalen Rundung und zur Slutifizierung aller Männer westlich des Bosporus
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Marie Glassl, Sophie Lewis
Stellvertretende Abschaffung
Barbara Vinken
Geistige Mütter
Emanuele Coccia
Le futur de la littérature
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Sina Dell’Anno
Punk / Philologie
Donatien Grau
A Life in Philology
Johanna Went
I remember (Johanna Went)
Tom McCarthy
Toke My Asymptote – oder: die ekstatische Agonie des Erscheinens
Michael F. Zimmermann
Courbet als Assyrer
Zoran Terzić
The Grand Generalization
A. L. Kennedy
What is an Author?
A. L. Kennedy
Qu’est-ce qu’un auteur ?
Jean-Luc Nancy
Après les avant-gardes
Mehdi Belhaj Kacem
Tombeau pour Guy Debord
Malte Fabian Rauch
Where the Negative Holds Court
Barbara Basting
Der Algorithmus und ich 6
Michael Heitz, Hendrik Rohlf
Umas Gesicht – Thurmans Stimme
Axel Dielmann
Die Schneiderin
Michael Heitz
Wong Pings "Who’s the Daddy"
Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone
Zoran Terzić
Politische Transplantate
Zoran Terzić
Political Transplants
Jochen Thermann
The Assistant Chef
Damian Christinger, Monica Ursina Jäger
Fiktionen von Heimat
Marcus Quent
Elapsing Time and Belief in the World
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Dieter Mersch
Digital Criticism
Wolfgang Plöger
After This Comes That Before That Comes This
Maël Renouard
The Twilight of Classification?
Rolf Bossart, Milo Rau
Über Realismus
Jurij Pavlovich Annenkov
A Diary of my Encounters
Eric Baudelaire
Abecedarium
Rolf Bossart, Milo Rau
On Realism
Diane Williams
Rums Bums auf der Treppe
John Donne
Paradox I
Jean-Luc Nancy
Je me souviens (Jean-Luc Nancy)
Barbara Basting
Der Algorithmus und ich 4
Une Trinité de mémoire
Je me souviens de quelques lieux, de quelques parfums d’enfance. En Amérique du Sud, en Equateur, à...
A Little Paris Nightmare
I loved Paris, even as a little boy, long before I lived there. I was like Pinocchio...
I remember during the frozen Tokyo winter of 1997: I took long walks in the dead of night through the...
Apfel oder Zitrone? Remembering, what do you hear? Wie sterben? Nord oder Süd? A question to which “yes” is always your answer?
Nicht im Dienste irgendeines Wissens oder Spekulierens will dieses fortlaufende Register Eintragungen über Vorstellbares ansammeln: Namen, Objekte, Phänomene, Singularitäten.
Gedanklich-sinnliche Küchenzettel, Aufzählungen und Auslesen…
L’œuvre d'art n’a pas d’idée, elle est idée
Now the dead will no longer be buried, now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself, now human bodies will expectorate fury and envision their own transformation or negation, now infinite and untold catastrophes are imminently on their way —ready to cross the bridge over the river Aire and engulf us all — in this winter of discontent, just beginning at this dead-of-night instant before midnight, North-Sea ice-particles already crackling in the air and the last summer long-over, the final moment of my seventeenth birthday, so we have to go, the devil is at our heels… And now we’re running at full-tilt through the centre of the city, across the square beneath the Purbeck-marble edifice of the Queen’s Hotel, down towards the dark arches under the railway tracks, the illuminated sky shaking, the air fissured with beating cacophony,...
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»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.