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About ‘how we treat the others’
Artur Zmijewski
Conversation on “Glimpse”
Glimpse shows us scenes filmed in various places. How long did you stay at these places? Was it already known that Calais would be cleared when you started the project?
We spent more than one month filming in Berlin, Calais, Grande-Synthe (the suburb of Dunkirk), and Paris. Yes, it was announced that the French administration was going to “clear” the Jungle in Calais. It was also quite obvious that refugees would be removed from the streets of Paris. Such places, like...
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Magazin Online
Sammelband
Zu einer Poetik des Seriellen
Elisabeth Bronfen (Hg.), Christiane Frey (Hg.), David Martyn (Hg.)
Noch einmal anders
Monografie
Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (Hg.), Elena Vogman (Hg.)
The Cube and the Face
Sammelband
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (Hg.), Burkhard Meltzer (Hg.), Tido von Oppeln (Hg.)
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To end GOD’S JUDGEMENT
Antonin Artaud, Stephen Barber (Hg.)
Radio Works: 1946–48
Artaud’s work is performative in the sense that it never simply describes, but actively produces the events it enacts. As Austin characterises performative language, ‘the issuing of the utterance is the performing of an action’.3 Artaud’s work, performed correctly, is magical, finding its power in ritualistic chanting. Intonation is key to this, recalling what he wrote about metaphysical language in The Theatre and its Double, where the aim is ‘to deal with intonations in an absolutely concrete manner, restoring their...
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