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Between global and local ecologies
Liliana Gómez (Hg.), Fabienne Liptay (Hg.)
Eco-operations
What is euphemistically called climate change, or more directly climate crisis, has already become part of both aesthetic discourses and critical research perspectives in culture and the arts. Yet, until recently, the focus has mainly been on the representation of the prevalent ecological relationships and cycles, or on the impact on the environment and contemporary society. Increasingly, however, future-oriented, ecologically conceived potentialities of artistic actions are being explored by new alliances of artists, curators, activists, scholars, and other actors of...
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Magazin Online
Monografie
Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (Hg.), Elena Vogman (Hg.)
The Cube and the Face
Sammelband
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (Hg.), Burkhard Meltzer (Hg.), Tido von Oppeln (Hg.)
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One plus one equals other
Dieter Mersch
Epistemologies of Aesthetics
We identified ‘showing’—rather than ‘saying’—as the primary self-manifestation of the aesthetic. By ‘showing’ and ‘manifestation’ we do not mean expression, but exhibition and exposition. Wherever works work only with aisthēta and relevance is drawn from perceptions or things and their materiality—from every nuance of coloring, from the way in which objects are framed or combined, from the position of a detail, from the interval between two notes and their microtonal succession or arrhythmic placement, from any hesitation of physical feeling,...
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