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Kunst

Between global and local ecologies
Between global and local ecologies

Liliana Gómez (Hg.), Fabienne Liptay (Hg.)

Eco-operations

What is euphemistically called climate change, or more directly climate crisis, has already become part of both aesthetic discourses and critical research perspectives in culture and the arts. Yet, until recently, the focus has mainly been on the representation of the prevalent ecological relationships and cycles, or on the impact on the environment and contemporary society. Increasingly, however, future-oriented, ecologically conceived potentialities of artistic actions are being explored by new alliances of artists, curators, activists, scholars, and other actors of...
  • Globale Ökologie
  • Ökologie
  • Kooperation
  • Klimawandel
  • Künstlerische Praxis
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Eric Baudelaire

A for Anomie

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

 

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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60 Billiarden Moleküle

Thomas Huber

60 Billiarden Moleküle

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  • Biologie
  • Fremdes
  • Lebenswissenschaften
  • Immunisierung
  • Subjekt

 

Warum soll das Kunst sein?
Warum soll das Kunst sein?

Sandra Frimmel

Ich hasse die Avantgarde

Ich hasse die Avantgarde. Wenn ein derart selbstironischer und selbstreflexiver Künstler wie Yuri Albert solch eine Aussage über Kunst trifft, dann sind Zweifel angebracht. Wie seine gesamte Serie Elitär-demokratische Kunst spielt auch dieser Werktitel bewusst mit einfachen Bejahungen und Verneinungen und rückt zugleich das Rezeptionsdilemma der Serie ins Bild: Ein (Groß-)Teil der künstlerisch vorgebildeten Betrachter sieht die Arbeiten in Stenografie als abstrakte Formen, ohne den Text zu verstehen, und nur die wenigen, die (russische) Stenografie lesen können, nehmen einen Text...
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  • Demokratie
  • Sozialismus
  • Schrift
  • Avantgarde
  • Konzeptkunst