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Kunst
Yes, magic exists!
Antonin Artaud, Stephen Barber (Hg.)
A Sinister Assassin
Antonin Artaud’s very last work, prior to his death in March 1948, is the most extraordinary element of his entire body of work – and is the element now most enduringly inspirational, for contemporary artists, filmmakers, musicians, writers, choreographers, and others inspired by Artaud – through its fiercely exploratory, extreme and combative forms, along with its dissolutions and negations of forms, focused above all on the human anatomy, as well as on sonic experimentation and on provocations for innovation in...
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Magazin Online
Monografie
Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (Hg.), Elena Vogman (Hg.)
The Cube and the Face
Sammelband
Zu einer Poetik des Seriellen
Elisabeth Bronfen (Hg.), Christiane Frey (Hg.), David Martyn (Hg.)
Noch einmal anders
Sammelband
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (Hg.), Burkhard Meltzer (Hg.), Tido von Oppeln (Hg.)
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Jelili Atiku, Damian Christinger
Mama Say Make I Dey Go, She Dey My Back
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Essays on Photography by Siegfried Kracauer
Siegfried Kracauer, Philippe Despoix (Hg.), ...
The Past's Threshold
There can be no doubt, however, that in Kracauer’s texts published at the turn of the 1920s and the 1930s from his position as an editor of the cultural pages at the daily newspaper Frankfurter Zeitung, then in the 1950s during his American period, he sketches out a theorisation of photography that can be described as groundbreaking. But it is also true that most of his works overlap, in more than one way, with this medium of reproduction or that...
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