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Literatur

Die Zeit der Literatur
Die Zeit der Literatur

Sandro Zanetti

Was bleibt, was kommt?

Literatur wird ansprechend, lebensnah womöglich, erfrischend oder abgründig in den flüchtigen Momenten des Schreibens und des Lesens. In ihrer jeweiligen Ereignishaftigkeit sowie in ihrem Zusammenspiel sind diese Momente allerdings nie bloß flüchtig: Literatur, wie weit man sie auch fassen möchte, manifestiert sich in Schriften, Materialien, Körpern, sie haftet an diesen. Verkörperung, Haftung und Beweglichkeit schließen sich allerdings nicht aus. Denn Literatur ist durch ihre Körper beweglich: nicht nur, indem sie immer wieder von Neuem geschrieben und gelesen wird, sondern auch...
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  • Denkt Kunst
  • Zeit
  • Literaturwissenschaft
  • Poetik
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Maël Renouard

On Memory Atrophy

Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

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Stephen Barber

Twenty-four hours in state of unconsciousness

Now the dead will no longer be buried, now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself, now human bodies will expectorate fury and envision their own transformation or negation, now infinite and untold catastrophes are imminently on their way —ready to cross the bridge over the river Aire and engulf us all — in this winter of discontent, just beginning at this dead-of-night ­instant before midnight, North-Sea ice-particles already crackling in the air and the last summer long-over, the final moment of my seventeenth birthday, so we have to go, the devil is at our heels… And now we’re running at full-tilt through the centre of the city, across the square beneath the Purbeck-marble edifice of the Queen’s ­Hotel, down towards the dark arches under the railway tracks, the illuminated sky shaking, the air fissured with beating cacophony,...

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»Der beste Reporter, der je für den New Yorker schrieb«
»Der beste Reporter, der je für den New Yorker schrieb«

Joseph Mitchell

Houdinis Picknick

Der umtriebigste aller Calypsosänger ist ein Mann, der sich Wilmoth Houdini nennt. Er hat Trinidad vor ein paar Jahren verlassen und sich als Schmierer auf einem Frachtschiff seine Passage nach New York verdient. Gelegentlich kehrt er zu einem längeren Besuch nach Trinidad zurück, wo er seinen Unterhalt mit Auftritten als »The Calypso King of New York« in den Lichtspielhäusern von Port of Spain bestreitet. Die meiste Zeit lebt er jedoch in einem möblierten Zimmer in der 114th Street West in...
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  • 20. Jahrhundert
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Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.”
“No,” he said, “but I see you have string!”
“If this comes into motion—” I said, “you should use a rope.”
“Any poison ivy on that? ” he asked me, and I told him my rope had been in the barn peacefully for years.
He took a length of it to the bedside table. He had no concept for what wood could endure.
“Table must have broken when I lashed it onto the truck,” he said.
And, when he was moving the sewing machine, he let the cast iron wheels—bang, bang on the stair.
I had settled down to pack up the flamingo cookie jar, the cutlery, and the cookware, but stopped briefly, for how many times do you catch sudden sight of something heartfelt?
I saw our milk cows in their slow...

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