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Dayron Carrillo Morell: Aquatic Visions and Watery Sounds: Ruptures and Sutures  in the Lacustrine Landscape of Modern Mexico City
Aquatic Visions and Watery Sounds: Ruptures and Sutures in the Lacustrine Landscape of Modern Mexico City
(S. 145 – 170)

Dayron Carrillo Morell

Aquatic Visions and Watery Sounds: Ruptures and Sutures in the Lacustrine Landscape of Modern Mexico City

PDF, 26 Seiten

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Dayron Carrillo Morell

is a PhD candidate at Universität Zürich. After studying Art History at the University of Havana, he obtained his masters degree in Art History and Hispanic Studies at Zurich. From 2014–2017 he was a research assistant on the project Modernity and the Landscape in Latin America: Politics, Aesthetics, Ecology. His research explores the dialogic relationships between the built environment and Mexican and Cuban architectural modernism. He is a contributor to the book Beyond Tradition, Beyond Invention: Cosmic Technologies and Creativity in Contemporary Afro-Cuban Religion (2015).
Jens Andermann (Hg.), Lisa Blackmore (Hg.), ...: Natura: Environmental Aesthetics After Landscape

Entangled with the interconnected logics of coloniality and modernity, the landscape idea has long been a vehicle for ordering human-nature relations. Yet at the same time, it has also constituted a utopian surface onto which to project a space-time ‘beyond’ modernity and capitalism. Amid the advancing techno-capitalization of the living and its spatial supports in transgenic seed monopolies, fracking and deep sea drilling, biopiracy, geo-engineering, aesthetic-activist practices have offered particular kinds of insight into the epistemological, representational, and juridical framings of the natural environment. This book asks in what ways have recent bio and eco-artistic turns moved on from the subject/object ontologies of the landscape-form? Moving from botanical explorations of early modernity, through the legacies of mid-twentieth century landscape design, up to artistic experimental recodings of New World nature in the 1960s and 1970s and to present struggles for environmental rights and against the precarization of the living, the critical essays and visual contributions included in Natura attempt to push thinking past fixed landscape forms through interdisciplinary encounters that encompass analyses of architectural sites and artworks; ecocritical perspectives on literary texts; experimental place-making practices; and the creation of material and visual ecologies that recognise the agency of non-human worlds.