Barbara Vinken
Geistige Mütter
Marie Glassl, Sophie Lewis
Stellvertretende Abschaffung
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
I.V. Nuss
Die Liebe im Konvexen, in der totalen Rundung und zur Slutifizierung aller Männer westlich des Bosporus
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Donatien Grau
Une vie en philologie
Donatien Grau, James Spooner
Afropunk Philology
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Johanna Went
I remember (Johanna Went)
Barbara Basting
Der Algorithmus und ich 7
Zoran Terzić
The Grand Generalization
Claire Fontaine
Vers une théorie du matérialisme magique
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
A. L. Kennedy
What is an Author?
Mehdi Belhaj Kacem
Tombeau pour Guy Debord
Zoran Terzić
The Tautomaniac
Jean-Luc Nancy
Nach den Avantgarden
Michael Heitz, Hendrik Rohlf
Umas Gesicht – Thurmans Stimme
Barbara Basting
Der Algorithmus und ich 6
Axel Dielmann
The Dressmaker
Jochen Thermann
L’aide-cuisinier
Barbara Basting
Der Algorithmus und ich 5
Jochen Thermann
Der Hilfskoch
Dieter Mersch
Digital Criticism
Dietmar Dath
Your Sprache Never Was
Wolfgang Plöger
After This Comes That Before That Comes This
Dietmar Dath
Your Sprache Never Was
Maël Renouard
Modifications infimes et considérables
Jurij Pavlovich Annenkov
A Diary of my Encounters
Eric Baudelaire
Abecedarium
Rolf Bossart, Milo Rau
On Realism
Bruce Bégout
L’homme de Venise
Barbara Basting
Der Algorithmus und ich 5
Oliver Hendricks
Human Oddities (Book)
Ute Holl
Dream, Clouds, Off, Exile
Mário Gomes
Brandsatz & Ästhetik
In Jugoslawien wurde viel publiziert und wenig weggeworfen. So hatte man die Möglichkeit, in staatlichen Galerien und Museen Ausstellungskataloge und Kunstzeitschriften für Pfennige zu schießen. Einen besonderen Platz in meinem...
In einem Onlineforum, das sich mit dem Umzug ins 40 Lichtjahre von uns entfernte Planeten-system TRAPPIST-1 beschäftigt, antwortet mir kürzlich einer, als ich anmerke, dass es ohnehin egal sei, auf...
This book told me just what I had to know before I flew. Flying came more easily and I mastered its intricacies as quickly as my ideas come up during...
L’œuvre d'art n’a pas d’idée, elle est idée
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Der Post, den ich hiermit teile, hat mich leicht verstört: »Barbara ist Facebook vor 6 Jahren beigetreten«!
DIAPHANES fragt nach Relikten von Zukunftsvisionen in den Bildräumen der Vergangenheit, nach Spuren und Signaturen eines einst Vorstellbaren und zeitlos Möglichen.
I said “Would you like a rope? You know that haul you have is not secured properly.”
“No,” he said, “but I see you have string!”
“If this comes into motion—” I said, “you should use a rope.”
“Any poison ivy on that? ” he asked me, and I told him my rope had been in the barn peacefully for years.
He took a length of it to the bedside table. He had no concept for what wood could endure.
“Table must have broken when I lashed it onto the truck,” he said.
And, when he was moving the sewing machine, he let the cast iron wheels—bang, bang on the stair.
I had settled down to pack up the flamingo cookie jar, the cutlery, and the cookware, but stopped briefly, for how many times do you catch sudden sight of something heartfelt?
I saw our milk cows in their slow...
Meine Sprache
Deutsch
Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.