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Magali Dougoud: Zombie Mermaids—A Song for Future Waters
Zombie Mermaids—A Song for Future Waters
(S. 185 – 216)

Magali Dougoud

Zombie Mermaids—A Song for Future Waters
Libretto for a Performance

  • Kunstgeschichte
  • Sound
  • Filmerfahrung
  • Lebenswissenschaften
  • Literaturwissenschaft
  • Sirene
  • Musik
  • wissenschaft
  • Filmästhetik
  • Kulturwissenschaft
  • Medienwissenschaft
  • Stimme
  • Kulturgeschichte

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Magali Dougoud

Magali Dougoud is a Swiss artist whose practice focuses on dismantling dominant historical and scientific narratives in order to bring forth other possible subjectivities. Through her films, sound works, performances, and installations, she develops an emancipatory feminist imaginary shaped by notions such as liquidity, violence, and plural and interspecies intelligence. Inspired by hydrofeminism and the idea that we are all “bodies of water,” her research proposes a liquid embodiment form, in which alterity becomes a space for emancipation, transformation, and multiplication. Rooted in situated practices, her work engages specific social and ecological contexts through research and local collaborations. She develops interspecies perspectives that decenter human experience and foreground entangled forms of knowledge, care, and coexistence. Her latest solo exhibition at the Musée d’art du Valais in Sion (2026) explores connections between two distinct contexts—Kinshasa and Valais—through water as a common resource and the role of women in its care. She has participated in numerous exhibitions and festivals in Switzerland and abroad, and has been in residencies in Berlin, Paris, Kinshasa, and Buenos Aires. In 2026, she undertook a residency at the Akademie Schloss Solitude in Stuttgart.
Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.): The Sirenic: Follow the Water, Follow the Sound

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

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