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Mimmi Woisnitza
Mimmi Woisnitza is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Leuphana University Lüneburg and Free University Berlin. As a theater scholar and cultural historian, her research focuses on revolutionary theater practices in the early twentieth century from a feminist perspective. Within CRC 1512, she is pursuing a project on the intersection of life and art in Latvian theater maker Asja Lācis’ relational theater practice and its reception.
Weitere Texte von Mimmi Woisnitza bei DIAPHANES
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The Stakes of the Stage: Piscator’s Scenography as a Practice of Critique and Benjamin’s Discontent with the “Zeittheater”
In: Sami Khatib (Hg.), Holger Kuhn (Hg.), Oona Lochner (Hg.), Isabel Mehl (Hg.), Beate Söntgen (Hg.), Critique: The Stakes of Form
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Manifestation, Collectiveness, Documentation: Thinking About Intervening Arts in Terms of Concept and Practice
In: Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.), Drafts in Action
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On the “Promise!” of Revolutionary Art Practices: Situating Asja Lācis’ “New Tendencies in Theater” (Riga, 1921)
In: Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.), Drafts in Action
Bibliografie
- Englisch
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2025Drafts in Action, Zürich, diaphanes