Nutzerkonto

Ruth Baettig: Logbook
Logbook
(S. 129 – 184)

Ruth Baettig

Logbook
with an Addendum on Giovanni Fusco and Michelangelo Antonioni by Giuseppe Di Salvatore

  • Sirene
  • Kulturgeschichte
  • Literaturwissenschaft
  • Stimme
  • Kunstgeschichte
  • wissenschaft
  • Filmästhetik
  • Medienwissenschaft
  • Kulturwissenschaft
  • Sound
  • Musik
  • Filmerfahrung
  • Lebenswissenschaften

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ruth Baettig

Ruth Baettig is a visual artist working with video, photography, and performative interventions. She studied in Geneva (HEAD), Cologne (Academy of Media Arts, MA), and Paris (École des Beaux-Arts). Her work has been supported by numerous scholarships and residencies, and she has exhibited in Switzerland and internationally. Based on physical and existential experiences, her practice explores tensions between nature and urban space, and between solitude and collectivity—often through site-specific projects and subtle interventions in public space. At the same time, she reflects on the conditions and possibilities of the media she uses. The interrelation between moving image practice and artistic research forms an integral part of her work. Many of her works unfold in ongoing series, including Auch ich in Arkadien (Berlin) and Mi sono perso / I’m lost, in which reflections on presence, disorientation, and perception emerge from encounters with space. In more recent projects, she has collaborated with artists working across voice, performance, sound, and music. Alongside her artistic practice, she has been active in film education, curation, editing, and production since 2004. In 2016, she co-founded FILMEXPLORER, a platform dedicated to film as an art form. Ruth Baettig is based in Basel and Lucerne.
Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.): The Sirenic: Follow the Water, Follow the Sound

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

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