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Ulrike Jordan
is an art historian and cultural producer. Prior to joining the DFG graduate program “Cultures of Critique” at Leuphana University Lüneburg in 2019, she was working in various cultural institutions in Berlin like Haus der Kulturen der Welt, Kunstraum Kreuzberg/Bethanien and Maxim Gorki Theater. She is an active member of neue Gesellschaft für bildende Kunst (nGbK), where she collaboratively realized the projects Im Dissens (2019) and 50 Jahre neue Gesellschaft (2019). Together with Naomi Hennig she curated the exhibition Context is Half the Work. A Partial History of the Artist Placement Group (Kunstraum Kreuzberg/Bethanien, 2015 / Summerhall Edinburgh, 2016).
Weitere Texte von Ulrike Jordan bei DIAPHANES
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On Withdrawal—Introduction
In: Sebastián Eduardo Dávila (Hg.), Rebecca Hanna John (Hg.), Ulrike Jordan (Hg.), Thorsten Schneider (Hg.), Judith Sieber (Hg.), Nele Wulff (Hg.), On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
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In the Aftermath of Violence. On Being Present and Calling Into Presence
In: Sebastián Eduardo Dávila (Hg.), Rebecca Hanna John (Hg.), Ulrike Jordan (Hg.), Thorsten Schneider (Hg.), Judith Sieber (Hg.), Nele Wulff (Hg.), On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
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A Psychiatric Clinic, a Monastery, a City and a River. On the (Artistic) Legibility of Disappearance in Topography
In: Sebastián Eduardo Dávila (Hg.), Rebecca Hanna John (Hg.), Ulrike Jordan (Hg.), Thorsten Schneider (Hg.), Judith Sieber (Hg.), Nele Wulff (Hg.), On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
Bibliografie
- Englisch
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2023