Sebastián Eduardo Dávila

Sebastián Eduardo Dávila’s PhD project deals with materiality in art practices from postwar Guatemala. He forms part of the DFG graduate program “Cultures of Critique” at Leuphana University Lüneburg. His articles and reviews have been published in journals such as Miradas, Re:Visions, Revista Poiésis and, in the anthology Museums, Transculturality and the Nation State (ed. Susanne Leeb and Nina Samuel, 2022), and in the context of art exhibitions. He has spoken at conferences like “Worldviews: Latin American Art and the Decolonial Turn” (London/online, 2021) and “Seeing more Queerly in the 21st Century” (Miami, 2020), and is part of the collective VOCES de Guatemala en Berlín.
Weitere Texte von Sebastián Eduardo Dávila bei DIAPHANES
  • On Withdrawal—Introduction

    In: Sebastián Eduardo Dávila (Hg.), Rebecca Hanna John (Hg.), Ulrike Jordan (Hg.), Thorsten Schneider (Hg.), Judith Sieber (Hg.), Nele Wulff (Hg.), On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

  • Gegenwartskunst
  • Widerstand
  • Protestbewegungen
  • Künstlerische Praxis