Liliana Gómez

is SNSF-professor (Swiss National Science Foundation) at the Institute of Art History at the University of Zurich, where she directs the research project Contested Amnesia and Dissonant Narratives in the Global South. Post-Conflict in Literature, Art, and Emergent Archives. Recently she co-edited with Lisa Blackmore Liquid Ecologies in Latin American and Caribbean Art (Routledge, 2020). She is the author of Lo urbano. Teorías culturales y políticas de la ciudad en América Latina (Pittsburgh, 2014) and A Camera in the Laboratory of the Modern. The Caribbean in Photographic Archives (Diaphanes, forthcoming).
Weitere Texte von Liliana Gómez bei DIAPHANES
  • Denkt Kunst
  • Gerechtigkeit
  • Menschenrechte
  • Politik
  • Performance
  • Gewalt
  • Kollektives Gedächtnis